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Little Italy 2018

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Little Italy 2018

Little Italy 2018 Movie Overview:

Former childhood pals Leo and Nikki are attracted to each other as adults—but will their feuding parents' rival pizzerias put a chill on their sizzling romance?

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Little Italy 2018

Little Italy 2018

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    Little Italy 2018

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    Little Italy Pizza

    There is something so special about Friday night pizza night! The whole family looks forward to it, and it sets the weekend off on such a good note.

    Some weeks, we choose to eat out at our favorite pizza places. But we love making it at home. It is inexpensive and so easy!

    One of our very favorite pizza recipes is our Little Italy pizza. It is so light and refreshing with all the fresh vegetables. We then love topping it with some sausage for an explosion of flavor. You can obviously leave this out if you are looking for a vegetarian pizza, but we love the addition.

    For our dough, you can use our Basic pizza dough or our Tuscan sun pizza dough. Flavor wise, you cannot go wrong with the tuscan sun option. It is the best crust, especially when you make it with Kamut. But our basic dough takes only a couple minutes and is honestly delicious!

    Yes, the Tuscan Sun pizza dough does call for beer, but you can leave that out if you would like. It gives the crust an amazing crispiness. Plus, the pizza cooks at 500 degrees so the beer cooks out! But water is a great substitute if you would rather.

    If you happen to have some leftovers after pizza night, don’t worry! We have the perfect ti[s for reheating pizza.

    Place the pizza slices in a pan on top of the stove over low heat. Cover with a lid so the pizza will steam warm and crispy. This takes about 5 minutes and tastes fabulous!

    It really does work, and you will never throw away pizza again. This will save you from soggy old pizza! And guess what? You can even freeze leftover slices and thaw then re-heat as directed. More pizza to be enjoyed by all!

    Try our little Italy pizza this Friday night. We promise you will not be disappointed!

    Little Italy Pizza

    Ingredients

    • 1/2largered bell pepperblackened
    • 1pizza dough ballTuscan Sun pizza dough
    • olive oil
    • 1 1/4cupsbaby spinachfresh
    • 1/2cupwhite mushroomssliced
    • French Salt
    • 1/2cupItalian sausagecooked
    • 1/2cupProvolone cheesesliced or shredded

    Instructions

    1. Turn the oven to broil.

    2. Place the pepper on a baking sheet and place it under the broiler, about 6 inches from the element. Turn it as it gets blackened remove from oven. (The entire pepper does not need to be black.) Place in a plastic bag for 10 minutes. Let sweat. Peel off the skin. Cut into long thin strips.

    3. Roll out the dough. Place the dough on an oiled pizza pan or baking sheet. Or, on a pizza peel with a little flour and cornmeal to move pizza to a stone or tile. Brush olive oil over the entire pizza. Place spinach in one layer. Lay the mushrooms on top of the spinach evenly dispersed. Disperse roasted red peppers evenly.

    4. Sprinkle lightly with coarse salt and fresh ground black pepper. Drizzle on a little more olive oil very lightly. Add the sausage, if using. Sprinkle on the Provolone cheese dispersed evenly.

    5. Bake in a 500 degree oven for 6-8 minutes on bottom oven rack until crisp.

    ·

    Sours: https://www.thefoodnanny.com/little-italy-pizza/
    1. Fog spray nozzles
    2. Pilot point hotels
    3. Hyper shadic sprites
    4. The knot change the date

    The sad subtext of “Made in Italy” is more intriguing and poignant than what we see on screen.

    Father and son Liam Neeson and Micheál Richardson play a father and son who finally force themselves to open up and grieve the loss of their wife/mother, who died in a car accident about two decades earlier. In real life, the actors suffered a similar tragedy when Neeson’s wife and Richardson’s mother, Natasha Richardson, died in a skiing accident in 2009.

    The parallel is inescapable, giving “Made in Italy” an undercurrent of sorrow, despite the sun-dappled Tuscan scenery and the ill-advised attempts at wacky physical hijinks. But in making his feature writing and directing debut, longtime actor James D’Arcy has come up with a visually appealing yet emotionally inconsistent film. His story is filled with contrivances and arbitrary deadlines to get big things done, and his supporting female characters are little more than one-dimensional props to help move the story along. And while D’Arcy fares far better with the dramatic moments than the comedic ones, that’s mainly because the veteran and venerable Neeson is up to the task of heavy lifting; Richardson, unfortunately, can’t quite keep up and weirdly seems miscast, despite the resemblance to his famous father. (Richardson also played Neeson’s son last year in the revenge thriller remake “Cold Pursuit.”)

    We meet Richardson’s Jack first. He runs a tony London art gallery and seems to be quite good at his job. So when his partner in the endeavor—who also happens to be his wife, who’s divorcing him—announces her family is selling the gallery, he comes up with a plan to find the money to buy it from her. He’ll sell the Tuscan villa that’s been in his late mother’s family for generations. It’s just sitting there, empty, except for some packed-away furniture and all those painful memories. But he’ll need help from his estranged father to fix the place up and get it ready to list.

    Neeson’s Robert is a once-promising artist who’s lost his creative spark. We know this because the camera pans around Robert’s mess of a studio to the helpfully tacked-up newspaper articles on the wall with headlines announcing him as the future of the art world. D’Arcy’s script features a lot of that kind of exposition and hand-holding. On their road trip to Italy, the two quickly fall into the same kind of banter they’ve always had, which is to say, none at all. Even awkward small talk quickly dissipates.

    But in no time, jaunty music accompanies their journey into the sunny Italian countryside. As they loosen up and get reacquainted with each other, Robert reveals himself as gruff and randy, while Jack is sweet and romantic. The extremely watered-down shtick Neeson and Richardson are stuck doing is vaguely reminiscent of (and inferior to) the fun friction Sean Connery and Harrison Ford perfected in “Indiana Jones and the Last Crusade.”

    Naturally, the house is in a far worse state of disrepair than they’d expected when they arrive. (The great Lindsay Duncan has some amusing moments as the uptight real estate agent who gives them tips on whipping it into shape.) But the nearby town is beyond adorable—the kind of place you’d expect to see Elio and Oliver blissfully riding their bicycles and calling each other by their names—which might put the seed of an idea in your mind that, hmm, maybe these guys won’t end up selling the house after all. Everybody knows everybody, and at night they all gather in the square to drink red wine and watch old, black-and-white movies under the stars.

    At the center of this little slice of paradise is the conveniently single Natalia (Valeria Bilello), a chef who runs a quaint restaurant that’s the neighborhood hot spot. Natalia is impossibly beautiful and charming as well as a playful and warmhearted mom to an eight-year-old girl. And yet her entire raison d’etre in “Made in Italy” is to make Jack face his long-suppressed feelings about his own mother and his childhood in this magical place.

    “I don’t think I know how to grieve,” Jack says, his brow furrowed, Richardson’s go-to device. But when the eventual breakthrough comes for both father and son—when they finally hug and cry and release years of pent-up despair—there’s enough inherent emotion in that moment that D’Arcy didn’t have to smother it with a dramatic score and needless edits. This scene in particular highlights that while Richardson may have a fine screen presence, he’s not nearly up to Neeson’s level of technique and experience, and the disparity is distracting. Then again, Richardson doesn’t have a lot to work with because there’s not much to his character.

    Still, if you’re stuck at home and in need of an escape (or even a quick cry), “Made in Italy” might work just fine. The rolling hills and radiant sunsets of Montalcino, where the film was shot, will make you want to pack your bags and hop on a plane—now more than ever.

    Now available in select theaters and on digital platforms.

    Christy Lemire

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    This Movie Has Every Stereotype

    Little Italy (A PopEntertainment.com Movie Review)

    Little Italy

    LITTLE ITALY (2018)

    Starring Hayden Christensen, Emma Roberts, Alyssa Milano, Danny Aiello, Andrea Martin, Jane Seymour, Gary Basaraba, Adam Ferrara, Andrew Phung, Vas Saranga, Linda Kash, Amrit Kaur, Cristina Rosato, Nicky Cappella, Ava Preston, Paul Constable, Daniel DeSanto, Julian DeZotti, Kayla Dumont, Christopher Hayes, Brittany Johnson, Elena Khan and Sugith Varughese.

    Screenplay by Steve Galluccio and Vinay Virmani.

    Directed by Donald Petrie.

    Distributed by LionsGate. 101 minutes. Rated PG.

    In 1988, director Donald Petrie did a terrific little comedy drama called Mystic Pizza, a sweet and smart romantic comedy which mostly took place in a small pizzeria and introduced the world to an exciting young actress named Julia Roberts.

    Thirty years later, Petrie has returned to the idea of the of a rom com based around a pizza joint. He even brought in another Roberts as the female lead – Julia’s niece Emma Roberts.

    Sorry, Little Italy is no Mystic Pizza. It’s more like a warmed-over rip off My Big Fat Greek Wedding, with a half-hearted pinch of Romeo & Juliet added to the sauce.

    Early in the film, which opens with a flashback with both stars Roberts and Hayden Christensen doing an awkward tag-team voiceover, Roberts’ character accuses Christensen’s of using crass ethnic stereotypes of the Italian characters in the film. This is kind of amusing, because this film is nothing but a long group of ethnic stereotypes of Italians – except for the periodic sections which slip into Indian stereotypes. Screenwriters Steve Galluccio and Vinay Virmani are apparently from family backgrounds in Italy and India, so I assume it is done good-naturedly.

    The movie takes place in the neighborhood the film is titled after – though this is the Little Italy in Toronto, not the better known one in New York. It is a tale of two families and two pizzerias in the neighborhood (though, from what I hear from a couple of people who know Toronto, very little of the film is actually filmed in Little Italy).

    The families used to be good friends and work together. However, years ago, for reasons very few people even remember, the two fathers Vince (Gary Basaraba) and Sal (Adam Ferrara) started a massive feud. They opened their restaurants next door to each other, sniping and pranking each other, basically trying to put the other out of business.

    Most of the rest of the families just humor the guys – the wives are still secret friends; the grandparents are in the middle of a clandestine relationship. And the children – Leo (Christensen) and Nikki (Roberts) are life-long best friends who have always fought attraction due to the family strife. In fact, Nikki has gone away to Europe for culinary school. When offered a potential big job opening a chic London restaurant, she has to go home to break it to her family.

    Nikki and Leo run into each other – accidentally on purpose – at the local bar where he moonlights. The spark is still there, but they know their dads hate each other so they start a slow courtship. They are supposedly best friends since childhood – though I’d guess Christensen is in his late 30s, while Roberts is probably in her late 20s. Then again, the grandparents played by Andrea Martin and Danny Aiello are also having an affair and Aiello must be at least 15 years older than Martin, so I guess ages are not a big deal here. And frankly, neither one of them looks even the least bit Italian.

    Strangely some of the older actors have previously been in similar-but-better films – Danny Aiello was in Moonstruck and Andrea Martin was in My Big Fat Greek Wedding. Well okay, Big Fat wasn’t all that much better….

    However, if you have seen any rom coms in the last several decades, not a single thing in Little Italy will come as a surprise to you. Yes, this is the kind of rom com where someone runs across the city to win the other back in front of friends, family and strangers at the airport. (Luckily this took place in Toronto, because TSA would have never let him get as far as he did.)

    Roberts is cute in her role, and she has decent chemistry with Christensen. And it’s always nice to see Martin and Aiello (who has been missing in action for a while), even though their characters are both caricatures.

    If you go into Little Italy with lowish expectations, it can be moderately amusing. It’s the type of movie that will waste a couple of hours if you run across it on cable. It’s sort of like a Nia Vardalos movie without Nia Vardalos. Whether that is a good thing or not is entirely up to you.

    Jay S. Jacobs

    Copyright ©2018 PopEntertainment.com. All rights reserved. Posted: September 21, 2018.

    #DonaldPetrie#ChristopherHayes#AndreaMartin#LittleItaly#RomeoampJuliet#MyBigFatGreekWedding#VasSaranga#emmaroberts#DanielDeSanto#MysticPizza#VinayVirmani#AvaPreston#LindaKash#SteveGalluccio#BrittanyJohnson#ElenaKhan#AmritKaur#AndrewPhung#JuliaRoberts#JaySJacobs#PaulConstable#SugithVarughese#PopEntertainmentcom#GaryBasaraba#HaydenChristensen#AlyssaMilano#JaneSeymour#NickyCappella#JulianDeZotti#CristinaRosato#KaylaDumont#DannyAiello#moviereview#AdamFerrara#Moonstruck

    Sours: https://www.popentertainmentarchives.com/post/little-italy-a-popentertainment-com-movie-review

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    ‘Little Italy’ Trailer: Emma Roberts, Hayden Christensen Star in Pizzacentric ‘Romeo and Juliet’ Retelling

    Classic tropes found in the romantic comedies of the 2000s resurface in the official trailer for Little Italy.

    Donald Petrie, known for rom-com favorites Miss Congeniality (2000) and How to Lose a Guy in 10 Days (2003), returns to the genre to direct Emma Roberts and Hayden Christensen, who star as love interests at the center of a family rivalry.

    Roberts plays Nikki Angioli, a chef living abroad who begrudgingly returns home to deal with visa-related issues she must sort through to receive a promotion.

    Nikki’s native New York neighborhood is home to her large, meddling Italian family and their pizza business. Around the corner sits Leo Campo (Christensen), the attractive son of the Angiolis’ pizzeria rivals.

    After Nikki comes home, the two find themselves entangled in a star-crossed romance fit for the 21st century, dealing with the fallout of their feuding families.

    Alyssa Milano, Danny Aiello, Jane Seymour also star in the film, alongside Andrea Martin in a role reminiscent of her scene-stealing My Big Fat Greek Wedding part.

    The film, set to debut in select theaters and on demand Sept. 21, arrives on the heels of this summer’s rom-com resurgence, led by films like Netflix’s The Kissing Booth and Set It Up.

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    Little Italy - There's Nothing Holdin' Me Back - Now Playing

    Little Italy

    Original title
    Little Italy
    Year
    2018
    Running time
    102 min.
    Country
    Canada Canada
    Director

    Donald Petrie

    Screenwriter

    Steve Galluccio,Vinay Virmani

    Music

    Mateo Messina

    Cinematography

    Thom Best

    Cast

    Emma Roberts,Hayden Christensen,Alyssa Milano,Danny Aiello,Andrea Martin,Jane Seymour,Gary Basaraba,Adam Ferrara,Andrew Phung,Vas Saranga,Linda Kash,Amrit Kaur,Cristina Rosato

    Producer
    Co-production Canada-United States;

    Firsttake Entertainment

    Genre
    Romance. Comedy | Family Relationships. Teen/coming-of-age. Romantic Comedy
    Synopsis
    A young couple must navigate a blossoming romance, amidst a war between their families' competing pizza restaurants.
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